January 2011

Friday, January 28, 2011

Malls In Watertown Ny

Prado Museum doors

Madrid met in the second half of the nineteenth century the most dramatic growth in its history. Companies such as English, News, Variety and Circus competed with Martin Price, Eslava, Lara, Apollo, Comedy or Prince Alfonso. These joined the Breton, Buenavista, Recreation, Cava Baja, Liceo Cervantes, Liceo Rius, Silversmiths, Picturesque, laughter, from the pan and other short-lived or seasonal, offering performances only in summer. Given the existing offer four performances were agreed: Before dinner, after dinner, after the gathering and the fourth for night owls. Feature born theater for hours. A Remate2

real input cost!.

in Madrid in 1861 had 575 casino companies, 145 dance, 139 and 123 dramatic music, with names such as Rigoletto, The Club of Lindos, The Delicious or The Elegant . The halls of the Prado, Recoletos, Circo de Paul or Alhambra became ballrooms and others emerged as the garden of the Circo Price, Tivoli Gardens, the gardens of Paradise, Eliseo Madrid and the Champs Elysees. In private houses, mostly of the nobility, they performed plays, yet in 1864 there were 722 Marquis, 588 counts, 166 Knights of Santiago, 82 dukes, 74 and 67 Viscounts Barons. Remate6

In early 1870 the convent of the Discalced Carmelites was demolished to build the Apollo Theatre, a temple of music that while the principle was involved in making works of Echegaray, soon became the headquarters of the opera premiered "La Verbena de la Paloma "with the nickname" The chemist and the evil punished chulapas or Jealousy, "" The Revoltosa "," Water, sugar and brandy " or "The Great Way", the latter premiered at the Teatro Felipe and then four seasons at the Apollo.

In the last ten years of the century there were 1500 titles from authors such as the brothers Alvarez Quintero, Arniches, Benavente, Vital Aza or Fernandez Shaw music by Chueca, Chapi, Breton, Torregrosa or Serrano. The Apollo Theater, before Moratín Theater was located next to the church of San José, on Calle de Alcalá, and opened its doors between 1873 and 1929. After demolition was lifted into place the building of the Banco de Vizcaya. Remate9

© Madrid 2010 nineteenth century. A project conceived in 1859 was declared a public utility in 1861. In 1868 iron architecture was the main protagonist though the materials had to be brought in from France or England and that much more expensive works. Remate10

This type of construction allowed to lift market halls, gables, palaces, cafes, railway stations and even private homes. The design engineer Eugene Barron Remate11

consisted of three portions, the central and two side 50 meters 40 meters, had a height of 23 meters at its midpoint and 13 meters wide, including 8 meters were to pass carriages.

The structure is supported in stirrups at the factory and two piles of wrought iron on stone foundations. He was placed first pillar of iron in 1872 and was completed in 1874 one of the few bridges built in Madrid and not to pass just over the river, but over another street, extending Bailen street to the Plaza de San Francisco and waging the slope of the street of Segovia.

be officially inaugurated on October 13, 1874 with the passage of the remains of Calderon de la Barca, transferred from San Francisco el Grande to the sacrament of San Nicolas. It was renovated twice in the late 20's and in 1932 convened the City Council contest in which there were 14 projects. Won the team of architects Francisco Javier Ferrero, Juan José Aracil and Luis Aldaz . The new building was started in 1934 and could not be completed due to civil war, until 1942, consisted of 200 meters long and 20 meters wide, was formed by three arches, the middle 25 meters high and is supported by 8 pillars, four of which with elevator shafts that were never installed. In 1976, cracks appeared closed to traffic and in 1978 after nearly a year of work was again put into operation.

Sources: "Madrid Villa y Corte" Montoliú Pedro Campos, "Old Madrid",

"Old views of Madrid" Ediciones La Librería "

" The English and American Illustration. " Congreso1 XVIII

Tuesday, January 25, 2011

Dark Mucus Period For 2 Weeks

HAWAII 5-0 (The Ventures)

I guess like most people, I always had in the TV series I remember when it was "cani" that will leave a special mark such as "Galactica" or "SWAT" (that horror to see it again now, was better in the memory ....) .-
One such series was "Hawaii 5-0," police television series starring the actor Jack Lord, who played detective Steve McGarrett, which aired between 1968 and 1980, and whose action was developed in Hawaii . Recently it has become a new version of the legendary series .-
The truth is that I never remembered much of that series, was very small, although perhaps I should say that the only thing I remembered was always the soundtrack, that was me recorded in the head and has always fascinated me greatly.
The original theme was composed by Morton Stevens and was popularized by the legendary band The Ventures, but has been and remains endlessly versioning, normal, and that certainly is a piece of issue .-

Sunday, January 23, 2011

Model Of Globe Theatre

THE MARSHALL TUCKER BAND THE WHO

I had never devoted an entry to one of my favorite bands, of which more good vibes has always given me, which is undoubtedly THE MARSHALL TUCKER BAND, a of the great Southern Rock bands, but never enjoyed the reputation of others as Allman Brothers or Lynyrd Skynyrd, but in terms of quality had nothing to envy .-

The Marshall Tucker Band was formed in Spartanburg, South Carolina in 1971 by singer Doug Gray, guitarist Toy Caldwell, his brother bassist Tommy Caldwell , guitarist George McCorkle, drummer Paul Reedle and flutist and saxophonist Jerry Eubanks, and their music was a delicious combination of Country, blues, rock and even jazz, and as a Southern good band, with periods of extended solos and jams.
The band signed with the seal of excellence in 70 Southern Rock, "Capricorn Records" and released his eponymous debut in 1973 with songs written by Toy Caldwell, among which "Can not you see", "Take the highway" and "Ramblin '.
After this album came "A new life" in 1974, "Where we all belong" in 1975, one of my favorites, with half of the studio recordings and half live, and that includes jewelry as "How can i slow down" or "This old cowboy", in this continued "Searchin 'for a Rainbow" in 1975, with the extraordinary "Fire on the mountain." In 1976 came "Long Hard Ride" and in 1977 was undoubtedly his most successful album, "Carolina Dreams", thanks in part to the success of the single "Heard it on a love song" which peaked at 15 on the list success of the time. After this album was released "Together Forever" in 1978 "Running like the wind" in 1979 and to welcome the new decade, "Tenth" in 1980. However, this disc is tragically remembered as the last tape the original lineup, as the month of its publication bassist Tommy Caldwell died in a tragic car accident, something that was devastating for the band .-

Al
Shortly after the death of his brother, Toy Caldwell left the band to start a solo career and the band split in 1983 .-
However, shortly after Doug Gray and Jerry Eubanks recruited Nashville musicians who gave life to a new stage of the Marshall Tucker Band, with which they have continued to record, turning without stopping, and getting some hits on Country, but without regaining the level and the splendor of their golden years in the 70's.
On February 25, 1993 Toy Caldwell died, and surely that he and his brother will brighten the sky with his wonderful music .-

Saturday, January 22, 2011

Sayings About Restaurant

Lightning Alcalá de Madrid Parque El Capricho

In these last days of October, with Christmas looming the least in some businesses, the environment cool and clear skies so sunny, Madrid is filled with a light which brings out clearly that without such details are in the dark and go unnoticed.

In the nineteenth century facades of many buildings, depending on the incidence of light, we can see in all its infinite splendor of a decorative finials Baroque or Rococo with modernist architects of the past that decorate their projects.

Today continue to design buildings, of course, but with a concept of closed doors, the environment do not worry, the old buildings adjoining, if any, are not taken into account, More importantly the scuffles, innovation, revolutionary.

And so we find many and varied architectural aberrations between two buildings prices, "blobs" that fit well in newly built developments in the PAU, extensions or cities in business but, please! not in the historic Madrid and although it may sound outdated, "the land of compliment and chotis Congreso10 1920

There architects

Lloyd Wright, Alvar Aalto

Niemeyer, Neutra , Etc., Watching the setting where they had commissioned them to build and then, is squeezing the meninges, went to work his imagination and shaped his dreams, in short, are worried that their project will benefit from what surrounded him and vice versa. Anyway, I see buildings in the heart "protected" which, as in that famous joke of the Roma and the Meritorious, make me cry, forgive me, "... I do not know, but I'm getting a bad milk."

I responsible government in power, that in areas protected by legislation, and in most cases by speculative interests, let the property get into ruin in order to demolish it and build more square feet to more height, and what is worse, but are not yet declared a state of ruin .

Is there any way to the historic centers of cities to withstand speculative endeavors and modernizing pretensions?. I think you can do to avoid degradation of the city and the loss of ancient heritage, the speculation, disharmonious growth and disorderly, contempt for regional values \u200b\u200band promoting knowledge of art history and urban values.

Friday, January 21, 2011

Cleaning The Outside Of A Camper

"The Real Me"

Today I will devote the entrance to one of the great songs of the history of Rock & Roll, at least for me, yet also to honor the I was one of the 5 best bass player in history, which is none other than John Entwistle .-
"The real me," second cut of the absolutely legendary and extraordinary soundtrack to the film "Quadrophenia" is a Pete Townsend song composed by chronicling the inner struggle of a young mod in England in the 60's, and some have interpreted as a struggle between the various personalities in search of their "authentic self" .-
The issue starts with Daltrey singing "far away" " can you see the real me, can you?, can you? ", when the band enters, and if there is no doubt that Entwistle was always, in the words of Townsend , a "lead bass", probably not there is another issue of Who where that is so true.
Although "My Generation" with bass solos such as legendary and as required reading for every bass player, which Mr. Entwistle was in this area is quite spectacular. Leadership melodic bass in this song, that sound so personal and proper, and that lesson in improvisation and technical skill, makes this bass line in an absolute masterpiece of a song is already a masterpiece in itself, with the usual force Townsend guitars, brutal battery of Keith Moon and Daltrey's vocal strength.
I once read that Entwistle was improvising and "doing a little silly" when they recorded the first shot of the line low, and once finished they were all so blown away that was the only outlet did and was lower than that included in the song, not sure if this is true, but I have no doubt at all, but shows the talent of this musician, something amazing .-
sometimes bothers me enough that when people talk of the Who, all talk of Moon, Daltrey and Townsend and few do's John Entwistle, and I sincerely believe that without him would not have been the Who even half of what have become his whole discography is a demonstration of this, and this issue is probably the ultimate expression of a musician / bass player out of the ordinary, whose death did not leave orphans to all who grew up with him , I admire and try to learn from their immortal musical talent .-

Sunday, January 16, 2011

Dresses For Old People

Since man is on earth and can remember, time is always has been for a reason of concern. No one knows why, but had the urgent need to know the time of day and night in which he was to organize their daily lives. He realized that looking up at the sky, could geared to the rotation of the earth and with some references to decide whether it was time to hunt, gather, sleeping, or eating paint.

it was not precise enough the situation of countless points of light up there and realized, as some 4,000 years ago, that with a stick in the ground and the shadow cast, could control more exactly the right time to go eat, hunt, etc. But the different seasons confused him, the direction of the shadow of the stick varied from season to season and that was not, even remotely, the man needed precision. And at night, Where was the shadow of the stick?

And like old times well ahead of science was an outrage, the man did not stop until you reach a more accurate timer and, eureka!, About 3,500 years ago, no without difficulty, invented the hourglass (water clock), that allowed by simple gravity and a jug inside, have a better notion of time.

controlled most wanted man and curled and the curl back in the eighth century by a glass ampoule together by a hole and a certain amount of sand (sand clock, of course) got more control. But what happened?, Which both use the sandstone, erosion, were becoming thinner, fell faster and the invention is no longer marked the same time for which it was intended. Also, if you wanted to control a large time span, was build a huge bulbs and found it a bit awkward handling.

had to re-wringing over the brain for maximum accuracy possible and as time pressed, he worked day and night drawing springs, axles and gears later, wood carvings, millimeter placed and with appropriate adjustments as a result gave a wonderful mechanism entirely handmade, the perfect timing device.

There were those who said it sounded too, that slow, go ahead and broke the parts that often anyway, it was not as perfect as they said, perhaps with other materials ... and in striving for perfection, to please and be pleased, the man experimented with different materials and wood and iron replaced bronze.

Still, it continued to commit errors in the measurement of inexorable time and materials used stronger and lighter as brass, steel and even precious stones like ruby \u200b\u200band diamond. Gotta be constructed of a size small enough to accompany us constantly and in the pocket with a chain (fob), and at the wrist (wrist).

came the twentieth century, the modern era, industrialization, electronic computers, computing, and the man did not relent in its efforts to get scanned with quartz (error three seconds per year) primitive apparatus. Today, the man is trying to control who controls it and although it is quite satisfied with the work done so far, has already made his first steps with atomic clocks (one second delay every 300 years) powered by nuclear energy. The next vagary of the human mind with "time" that I do not know if we'll see. "Time will tell."

the moment if you walk through Madrid ... with time, then look up and more often than you think, you will find yourself with real jewels of the master watchmakers.

Madrid to top © 2010 Madrid. Its construction was begun in 1893, after the expropriation of the Royal Site of Florida State's Office and was inaugurated in 1905. In 1906, Mayor Madrid, Don Alberto Aguilera were sought a path for walking and resting in Madrid, on land formerly occupied by the main landfill of the city, starting a second phase, adding 3 acres and finalized it in 1914.

is one of the largest green spaces in Madrid. Currently, an area of \u200b\u200b98.60 hectares, mostly landscaped with a variety of conifers, cedars of Lebanon, poplar, linden and beech trees.

The park has such unique places as Ceramic School, founded in 1911 by Francisco Alcántara.

The Rose, with 15,000 square meters.

Debod Temple, temple of the second century BC Egyptian gift of the Government of Egypt for English cooperation in the construction of the Aswan dam and housed in the same place where the headquarters of the Mountain, famous for the events of 1936, when he was assaulted by locals in search of weapons to defend themselves from rebel army. María Guerrero y Fernando Díaz

The Tinaja Park, 2 acres, with one of the furnaces of the old Pottery Factory Moncloa, founded in 1816 by Ferdinand VII.

The Temple of Music

walks in the streets, shooting photos at the top.

This is "Madriz-up, just look me down, position because of this I stepped filth.

I cursed the dogs have fouled Madrid,

but rather to the masters, and they should be fined.

Education owners remains highly desirable,

go for them a cry of hogs and pigs!. S. Francisco6

thousand, three thousand, ten thousand balconies with my Nikon I reflected,

delete hundreds of them, I saved hundreds.

I keep little ones balconies, stately and forgotten,

with history ends, and crushed to dust.

There are no balconies, there are balconies overflowing

of cactus, plants and roses that have come to the sidewalk.

There are balconies that shine, appear to fire,

with candles, neon lights, there are also off.

with rails colors, frills and forgings.

I never tire of watching them, because there are very firmly planted,

red, purple and green, white, blue, pink.

With balcony with an awning to shade and woodland,

look strange objects, skulls, buckets, feet and hands. 5Viaducto 1920

kicking Balconies make surfing in dry

hats, grinders, and lonely people talking.

We have seen viewpoints, double balconies, puny,

medieval and Roman, giving cold cobblestones.

balconies Adjectives are many in the sack,

but the story ends, having begun shortly.

With a budget of seventy-five thousand pesetas to the purchase of land, fences and start-up costs, in 1877 the City Council convened a public competition for architects certified by the Real Academia de Bellas Artes de San Fernando for the construction of a large necropolis in the municipality of Vicálvaro. The program specified the elements of the necropolis and burial rates, payment, charitable and innocent mausoleums of famous sites, burial of non-Catholics, chapel, warehouses, autopsy room, offices and warehouse. Fachadas 007

six projects were presented at 1:200 in the room called the "Media points "provided by the Real Academia de Bellas Artes. On April 13, 1878 the first prize was awarded unanimously project architects and Tremanti Fernando Arbós

(1844-1916) and José Urioste and

Evening (1850-1909) under the theme " sotierran where the dead and their bones become Fachadas (13)

ashes. " The original project had a capacity of 62,291 graves.

regard to incineration that read the slogan, the court made its objections and was in favor of "burial well executed, it is the best procedure returns to agriculture land and its elements, dust and no ash said the Author of all created things

. "

The City should acquire land within thirty days accurate " no less than 400 bushels, about 257 acres and 60

Areas" and within 90 days about and build a chapel. Faced with this nightmare Arbós architects and Urioste said: "

Project in Madrid is mourn." Only in 1884 began to build a small cemetery Epidemics, whose first burial was that of Wonder González Leal. Urioste Arbós In 1888 and ceased as architects of the necropolis and died without seeing land to raise the buildings designed in 1877.

I did the municipal architect José López Sallaberry

and began the task of clearing and foundation. In 1905 Eduardo Vicente commissioned the architect also Francisco Garcia Nava municipal reform Arbós draft and Urioste, increasing to 81,638 graves with a capacity of 885,000 burials. Alberto Aguilera managed the implementation and the Conde de Peñalver was to start work in December 1907 officially opened the Eastern Necropolis in 1925.

Sources: "The Arab Baths Fachadas (27)

" Lola Lario Esteban, and " The architecture of the Eastern Necropolis " Carlos Saguar. Art-Quitecturas (3)

Wilhelminische Friedenskirche

Paseo de la Castellana, 6

For 100 years this church of Wilhelmine architecture, its inviting patio and neo-Romanesque parish house, are a oasis in the heart of Madrid.

The building of the German-speaking Evangelical Church of Madrid, beautiful and remarkable building of eclectic architecture in Madrid of the early twentieth century, was inaugurated in January 1909.

Along with the evangelical churches of Rome and Jerusalem, this church is included in the group of three German Protestant churches abroad whose construction was supported actively by Emperor William II (1888 - 1918). Fachadas (17)

The church is like any other building, proof of the interest of the Imperial Household by ecclesiastical politics and the construction of churches. It is also an example of the religious conception of the monarch that led him to build churches in several overseas locations.

The church bears some resemblance to the chapel of a castle medieval empire, with its mosaics and more than sixty neo-Romanesque capitals and columns.