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THE BODY SENSE

SPRING: EASTER 2011

EN EL VALLE DE LA VERA

WORKSHOP 2 of CYCLE:

"THE ADVENTURE OF THE SENSES"

in THE SKY VERA ( GREDOS )

A sensory massage experience, LIVING DANCE, MUSIC ORGANIC
and creative integration.

different holidays where pampering and AMAZING ...

A TIME to share experiential and spontaneous art that emanates from your body,

appreciate the closeness of being inspirational with yourself,

enjoy the natural beauty in the new meeting,

distill leaving your ESSENCE AROMA

... through the motion sensitive,

SELF-KNOWLEDGE-EXPERIENCE WITH PERCEPTION and

RESERVE square / Coordination: cris@voarte.org / 649223571

COLABORA: Association "STILL"

MORE INFORMATION> CLICK DIRECT LINK:

VoARTE Activities: THE ADVENTURE OF THE SENSES

Transparency of Being ..

(Movement in body and soul)

DATES 3, 4 and 5 June 2011

(Workshop in a residential)

ORGANIZED: School of Psychotherapy VALENCIA

SYMBOLIC ELEMENTS DANCE

DATES: 16 to 25 July 2011

PLACE: Alpujarra (Granada)

HOSTS: DANCING IN THE AIR

VI Conference for SINGLES

DATES: July 31 to August 6, 2011

LOCATION: AL-HAMAM (Lucainena of Torees - Almería)
HOSTS: THE WALKER

LIVING DANCE

- REGULAR COURSE -

(reserving for:

2011-1012 Annual Regular Course

MADRID GROUP CONTINUED

DATES: A meeting monthly weekend

HOME : October 2011 / Final: June 2012

ORGANIZED : voARTE ... info@voarte.org

cris@voarte.org (649223571)

DIRECT LINK CLICK:

http://voarte.blogspot.com/2006/12/danza-vivencial.html # links vivencial.html # links

COMPLETE INFORMATION FOR EACH WORKSHOP:

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Ringing In The Left Ear

After a chaotic summer and after a period of extreme laziness caused by the same summer, for the love of beer on the terraces of Madrid and the fucking hot that I melted the brain and the more years that I meet, the more I hate, for return, with the intention to be more consistent with this blog, to offer interesting posts, to try to improve this blog more and more, and to shelve posts that have nothing to do with music (like the fucking bulls ...).-
That said, I decided that my return will be devoted to music for which I am bearish, the great Mr. James Jamerson, whose death she turned 27 last August 2 .-
true that I did not bear for him, but because all my friends played the guitar and if I caught a bass, it could mount a clique .- In addition, at that time was my idol, Steve Harris (and remains one of my idols), and still had no clue that music was heavy or hard-rock.
As I matured, growing and learning more about music, I find new music that I hallucinated, and new bassist who became idols, people like Chuck Rainey, Leon Wilkeson, John Entwistle, Jaco Pastorius and Francis Rocco Prestia, among others, were some of the ones I hit, and trying to be like, but nothing was the same after discovering the Motown sound and above all, incredible bass lines of James Jamerson. When I started studying them and touching them, freaked out, it was like a revelation, especially taking into account the time that this man did what he did. If you look through the prism of today, not appreciated in its proper place, but if you think this man appeared in the early sixties, when the bass was just a stooge, a silly and very basic accompaniment, with nothing "grace", its appearance was an unprecedented revolution .- Since then, my style and my playing is owed all the great James Jamerson, the best bass player, for me, history .-
James Jamerson was the funk bassist called brothers, session musicians who gave birth to one of the most memorable musical stages, which was none other than the sound of the '60s Motown .- Born January 29, 1936 in Charleston, South Carolina, but moved to the beginning of the 50 to Detroit, and was responsible for the bass lines of almost all the hits from the 60's and early 70's Motown, reaching a level such that, if Jamerson not available at that time, label artists delayed their entry into the study to record their songs until they could count on him to the bass line, as he acknowledged in an interview with the great Smokey Robinson.
The number of hits he recorded was such that it is practically imposible enumerarlos, pero aún a riesgo de dejarme alguno, aqui van alguno de mis favoritos:

Reach ou (i'll be there)- The Four Tops
Still Water (love)- The Four Tops
Bernadette- The Four Tops
Home Cookin'- Jr. Walker & the All Stars
Just a little misunderstanding- The Contours
What's Goin' on- Marvin Gaye
I Heard it through the grapevine- Marvin Gaye / Gladys Knight & the Pips
Ain't too proud to beg- The Temptations
Come 'round here- Smokey Robinson & the Miracles
For once in my life- Stevie Wonder
I was made to love her- Stevie Wonder
It's a shame- The Spinners
Ain't nothin' like the real thing-Marvin Gaye & Tammi Terrell
Is not No Mountain High Enough-Marvin Gaye & Tammi Terrell
You keep me hangin 'on "The Supremes
Can not Hurry Love-The Supremes
That How long have you evening train been gone, The Supremes
Get Ready-The Temptations
Nowhere To Run-Martha Reeves & the Vandellas
This old heart of mine-The Isley Brothers

and we could go much longer with more and more legendary topics
.- An extraordinary book to find out everything you need in his life and his music is "Standing in the Shadows of Motown. The life and music of Legendary bassist James Jamerson" Dr. Licks, in which apart from having all his life, in the second part of the book, we studied their music through performances of his songs (or summaries thereof) that perform some of the greatest bass players like Geddy Lee, John Entwistle, Marcus Miller, Will Lee, Bob Babbitt, Willie Weeks, Pino Palladino, Chuck Rainey, Jack Bruce, Garry Tallent, Kenny Aaronson, and Francis Rocco Prestia, among many others, and comes with 2 CDs in which these players, apart from interpret the transcripts to accompany the book, discuss their views on Jamerson, as well as other session musicians of Motown, the Funk Brothers, who also speak of his relationship with Jamerson, and their experiences the legendary label of Berry Gordy .- .- A wonderful book
Jamerson's style was rhythmic and melodic at the same time, many of his lines were absolute masterpieces of improvisation, keeping the rhythmic and harmonic function must have all good bass player but also beautifully melodic, but never invading the field of voice, or the main melody of the theme. No bass comparable to this man, playing many of their songs are not particularly complicated, but others is the task of months or even years to master to perfection, and when you do say, JOOOODER!. Jamerson used to say that sometimes looking at a flower and how moved he inspired to play a certain way. Tapping your lines, you understand what he meant. Any serious bass player, or aspiring to be, if not listen to James Jamerson never be achieved. Was, is and will continue to Siena, KING OF KINGS .-
And to prove it, one of his most beautiful lines, and that costs touch it, but when they get is a delight: "Dear Darling" of the Jackson 5 . Can you many do not like much the music of the Jackson 5, but even so, try to hear the bass line, melodic give account of what it is, it's almost like a second melody but still keeping the rhythm and the harmony of the theme, give account and never mixed with the melody and voice, and I would add that since the voice enters, the line does not repeat the same two bars, is a fucking masterpiece made bass line. Enjoy: