Tuesday, April 27, 2010

Forced To Sniff Moms Feet

" ITHACA, a Life Journey "

NEXT DATES:
define
PLACE:
define





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OBJECTIVES: Living the Adventure
meet and re-create personal and group by Art Without Frontiers (dance, music, poetry, painting, theater, plastic ...). A workshop for Interior Artist creativity, on the treasure of travel luggage with yourself. CONTENTS

: The power of the image and its symbolism. The feeling of being your own hero. The thrill of daring to release the rope from the shore, weighing anchor and dive into a sea where the internalization and expression row in unison. The inspiration is dance, the memory becomes melody, heart conversation with the music, the body draws poetry, myth is present, the sculpture comes alive in each body, the soul breathes new ports pacta imagination with reality, shadows with light. To risk death to begin the trip, designing another map, transforming fears, swimming and other islands. Project colors in your water, give words to your waves ... A candle for izarte facing the wind, giving shapes, textures and sounds, get moving ... and stop, let yourself be surprised by the magic of the journey, vivenciarte, save with the art and surfing .

needed: to bring more treasures to trade (in a suitcase, box, bundle or similar), a sheet, a notepad, light a candle, a flashlight and a blanket.

Story (Navigation Chart -VoA-):


Monday, April 26, 2010

Hamilton Beach Microwave Hb P90d23al Jv









TARGET:

Actors. ... Teachers dancers, animators, graduates or students of various branches of corporal expression, Music, Physical Education ... mainly related to the Dramatic Arts and Dance ... All those people who are introduced in the Art of Movement creative scene.

A PROCESS FOR MAPPING PURPOSES OF ACTING DANCE :

• Management and Awareness own body as an instrument of action Actoral.

Artistic Movement • Resources for Action from the personal empowerment of corporal expression. Intensification of the expressive quality.

· Meeting and interaction between dance and declamation - Body and Voice - Records.

· Training of muscle chains - Strength, Stretch, unlocking BA, Foundation, kinesthetic, Energizing.

· Rhythms of Motion (Stretching - Fluency - Pulsion - Vibration - Attention Static Movement), Expressive Circles ...

• Resources and exercise the Contact-Improvisation: Matter, Weight, Supports
- Management of center of gravity (own and shared), and peripheral vision imbalance
- Tap, Stand, Impulse and Reaction, Rotation Point, Slip, Lift, Hold, Porto, Fall , Diving, Impact, Open, Money, Risk, Reflection ...

• The actor seen from itself
- The custom setting for each actor in particular. The nature of the actor as a genuine appeal, he and his true technique ...
- Approach from the Experiential Dance> Method Neo-Renaissance in nature based on the Synergy of Arts with various intervention Psycho-physical techniques> Nerve center: The Artist and Interior ... like finding process and personal commitment, not as a mere form of entertainment or as ego-boasting exhibitionist .- Awareness, Acceptance, amplification and use of one's identity when this - the pure expression - Unification between internal and external resources - Continuum Attention. Authenticity spontaneous Arrojo Disinhibition and lively attitude ... in the theater and the reflection of the inner> what "moves" to which "moves." Dance Theatre in its broadest sense (the human being is acting-dance man who lives ").

· Body Drama - Work with and from texts - The experience and behavior that give life to the word - The Evocation and Renewal.

· Interaction with Sound (Music, Atmosphere, Mute). Union of emotion, sound and meaning.

· qualities of movement (Bodies: gravel, breathing, Sculpture, Poetry, Drama, Pictorial, Sensitive, Visceral, Energy, Meditative)

· Plans and levels of communication-body projection and Listen - Directions (horizontal / vertical / transverse / spiral). Boundaries, contours, lines, volumes ... Interconnection and Focus - Exploration, Combination and Composition of Form and Space - Graphics choreography, Contrasts and Transitions.

• The game as the essence of theater. Recovery of faith in the adult child.

• The Conscious Touch. The subtle movement, the internal perception. Attention, Intuition and sensory perception. Sensory adaptation. The poetry of life.

• Construction of Situations and Personality Development and unmasking (the actor, from his own experience as a raw material + the need for creative input of artist)
- Imagination staging. Intensification expressive quality.

· use of objects and props. Body immersion in the theatrical element. Definition, meaning and symbolism of what exists. Mimesis and abstraction.

· Consciousness, Body Metaphor and Dialectic. Amplification of the views> Polarity: Association - Dissociation, Figure - Fund Obviousness - Imagery, Individuality - Integration, Deliveración - Spontaneity, Intelligentsia - Instinct, activity - passivity, Tragedy - Comedy, lived - let it die, Defense - Assault , Grant - Reception, untouchability - Stimulation, Kinesthesia - Conceptualisation, Listen internal - external, Lead - Be guided ...

· The Relative: Time, Wait ... Use of Energy, Inspiration, Improvisation ... The state of alert. And beyond Expression: Decentralization, reality latent, unspoken ...
- Following the passage of the Transfiguration (freedom and delivery to body, mind, spirit, thought and verbalization, are able to combine an authentic expression in living total ...)
- Awareness underground>
"Appealing to the imagination, the subconscious or the unconscious is the level intensive of all artistic work. "

· Relaxation and Concentration. Trust and Respect. Diversity and Tolerance. Self-independence and responsibility. Observation and Communication.

Friday, April 23, 2010

How Much Are A Set Of Pearls Worth

ACTING DANCE TEAM MORE TICKETS

CREATOR: VICTOR
ORIVE (VoA)

PARTNERS: REME
MONTERO HERRANZ
DOMINIQUE MORATA Gressel

CRISTINA PASCUAL
MENDOZA EVA
FERNANDO ABREU

RACE PABLO DAMAGES PEDRERA
ISABELLE LIPTAY
GUINEA PEPPER
ESTEBAN MONTORO
CHAR Lopez Quintana
SILVIA Oliveras

INFORMACIÓN GENERAL :

eMail: info@voarte.org

- 653032199 (General)
- 620,882,798 (Reme )
- 649223571 (Cris)
- 605926193 (Silvia)


Other proposals:
(609,293,103 -
voa@voarte.org )

ORIVE VICTOR (VoA)
multidisciplinary Creator. Teacher and technical trainer in Psycho-corporal expression and artistic integration.
Trained in Gestalt Therapy and Body (focuses its work in investigating the Arts and the Movement as a source of knowledge and communication).
Choreographer for Dance, Theatre, Music Concerts, Movies ... His creations reflect the interaction between the arts and philosophy, psychology and social commitment: "Exodus," "Too late", "Homer", "long road", "Just cyclical" ( reduced youtube video part 1> http : / / www.youtube.com/watch?v=aCpHPI4SuKw , Part 2> http://www.youtube.com/watch?v=CdPOfTrc3Do&NR=1 ) " SeX "," Crossing "," Sites Saragosse ".... and the encounter of different arts (music, dance, speech, painting, image, action) to a concept of Theatre Global. Her training in dance
ran hand in hand with countless teachers (Emilia Baylo, Maria de Avila, Victor Ullate, Menia Martinez, Karemia Moreno, Aurora Bosch, Carmina Ocaña, Hanneke Berlanga, Atillio Labis, George Christoff, Patrick Dupont, Bella Ratchinskaia, Irena Milovan, Haydee Caycho, Milagros Desdunes, Teresa Nieto, Paul Grey, Frank Bravo, Katarina Conrad, Hanna Samson, Carl Paris ...)
was Assistant Director of the Ballet de Victor Ullate where, as a solo dancer, he worked directly with teachers Maurice Bejart, Hans Van Manem, Rudy Van Dantzig, Assaf Messeguer, Nils Christe, Misha Van Hoecke, William Forsythe, José Parés among many other festivals and theaters ... nuclear touring circuit Dance national and international stage. Preparer
technical and stylistic prestigious dancers for dance competitions (such as the International Paris or Eurovision, where the likes of Ruth Miró, Jesus Pastor and Carlos Lee hit the top prizes.)
With "Experiential Dance" developed a proprietary method of research focusing on personal growth through artistic development, a place where personal experience opens doors either side to call off the stage and creating a more complete daily existence . Provides courses and conferences as a guest lecturer for various groups and institutions, both private and official, and collaborates with various organizations in solidarity projects (education and children's integration, support for disadvantaged, youth institutions and environmental associations ...).
is the creator of "voARTE" and founding member of "Danza Málaga" (platform for emerging artists) and "develop yourself" (Network of Schools and Collective Artistic Expression and Growth share a pedagogy based on sound learning, empirical and positive , focused on individual and group creativity, sense of self-responsibility, solidarity and involvement psychophysics), working associations as "The Wanderer" (School of Art-therapy of Andalusia), "Proexdra" (teachers of Dramatic Expression in Spain), Atrium Area (Barcelona), Unison (gestalt Aragon) ... among others.
collaborated in some literary journals of Education, Art and Poetry ...
The workshops and training that provides, integrates his professional career in Musical Theatre, Dance (Classical and Contemporary, certified by the Professional School of Real Madrid), Teatro de los Sentidos , Video-communication ... with his training in Contact-Improvisation, Music Organic (school of Ricardo Oliveira), Human Sciences (School Faculty University of Zaragoza), Group Dynamics, Bioenergetics, Chi-kung (with Sifu Yap), Butoh Dance and Technology Oriental Body Therapy (formed with Victor Rivers) and Gestalt (formed with Paco Peñarrubia CIPARH and equipment, with post degree in Monitoring, Analysis and Driving Group, Hoffman Process of parental relationships, Protoanálisis (Antonio Pacheco) and currently in groups with Francisco Peñarrubia Creativity, Attention-lessons-to Albert Rams Gudjieff and SAT programs Claudio Naranjo, with Suzana Stroke .) REME

MONTERO HERRANZ
individual Gestalt Therapist (adults and adolescents) and group (técnicascreativas). Formed in AETG programs (Madrid School of Gestalt Therapy), Enneagram (with Paco and Annie Peñarrubia Chevreux). Analyst relational psychomotrician body (formed by Anne Lapierre). DOMINIQUE

MORATA Gressel
Philologist. Coordination and management of musical and literary projects in the House of World Cultures (Berlin). Group coordinator and alternative travel expeditions. Founder and head of "NEWS Madretierra" (travel agency specializing in cultural integration). e

Cordon Bleu Copper Cookware

voARTE

FOR MORE INFORMATION TICKETS>>
CLICK ON THE TABS blog column (Top right>> "ARCHIVES"

Thursday, April 22, 2010

My Infant Has Rosy Cheeks

"SINS" (Corps Choreography)

OBJECTIVES: Laboratory Creative Dance and Choreography for professionals, students and those with base-body use awareness. From an attitude of availability, amplify records themselves, explore possibilities of movement and scenic composition, lengthen the body in space. Training the realization of expressive phrases. Inspired by the experiential, and project exploring the inner world based on specific content.
CONTENTS: Research the theme "Sins and Virtues", integrating transparency, humor, poetry space and the voices of the body. E-synergy between motion and action, improvisation and Reflection. Different styles of dance, theatrical approaches, tools and rhythms of movement. Use props. Coaching, dual and collective face in a final sample.
Note: Bring knee pads, linens, black, and others to wear your "sin" (and maybe something with choreography).

Speaker: Victor Orive
Collaborator: Daniel Pedrero

Wednesday, April 21, 2010

What Happened To Fakku? November

LIVING DANCE-1st SEMESTER 2011 - "THE HOME OF THE BODY"

PROCESS-divided into four stages- FOR EXPLORERS OF SELF THROUGH ART AND MOVEMENT ...

body and consciousness. LIVING IN THE PRESENT CONTINUOUS.
THE ADVENTURE OF SELF-DRIVE CREATOR AS AN ALTERNATIVE.
NATURAL MOVEMENT THREATENS THE REST.
THE ART OF BEING ONE ON SPONTANEOUS MOVEMENT, AND EACH OTHER, AND ONE WITH NATURE .
FIBERS OF THE HEART, THE THREADS OF INSPIRATION ... A AUTO-HAND EXPERIENCE OF THE EX- PRESSURE your inner artist.
INTEGRITY ... ALL DANCE!: MAS ALLA DE FORM, MEANING OR BODY.
of what "moved" to what "moves."
LIVING INSIDE YOUR HOME, YOUR HONOR DEVELOPMENT AND BRING IN THE CONTEMPLATION OF ITS STATIONS, AND REGENERATION constant symbol.

A trip yourself, body and soul, from the dynamic architecture of the mind attending the E-motion vital (pulse inducing Action) supported by the s Erena Introspection, l to Reflection and Relaxation.
Under the approach LIVING DANCE (Synergy of Arts with the involvement of various psycho-physical techniques. The organic movement, integrating different facets of our being).

Home Sweet Home! ... A body-home (as a home of homes) on the return to origin, cederte the flow of the seasons, the habitat where they recognize and communicate, to release and exploring you The magic of cederte and share you, massaging and re-create, to let you "be" authentically ...
watching you and witness, open, non-judgmental, your I Interior.
Growing your potential Artist Inhabited ... S er a chord free to your mplificar Creativity, reapropiarte of vital Poetry, draw you and sculpt ... possible routes
U so pure and disclosure of identity. Detect external habits acquired. Practice and Experience against technical and theoretical learning. Will the confidence and exist as a Art in Motion Spontaneous, the bottom to the surface.
a living space of your Nature Cycles knowing you "Nature."

FOUR GAMES WEEKEND (AS A PROCESS OF CONTINUITY WITH THE SAME GROUP) IN NATURAL convivial.

- Dates:
  • January> 28 to 30
  • MARCH> 4 to 6
  • APRIL> 15 to 17
  • June> 23 (night) to 26
- Times
or Meetings of January, March and April (16 hours each) will start Friday at 18pm. and end Sunday at lunchtime)
or The June workshop (22 hours) beginning on Thursday dinner to Sunday lunch).

- Location: All workshops will be held in coexistence regime in rural lodge, with spaces work for experience-conditioned in nature. top 3 in the Sierra de Gredos (for concrete) + the ultimate in privileged Andalusian "Dancing in the Air" (in the Alpujarra ).

- price of each meeting: € 160 (accommodation and meals not included)

- Reserve Square in info@voarte.org / Cris@voarte.org (649223571) to meet quota. Admission served basis, once sent the SHEET OF ENROLLMENT complete (more recent photo attached) and made the payment of the first and fourth games. Places are limited.

Tuesday, April 20, 2010

The Ultimate Element Crossward Puzzle

"Dancing the Loop, walk to the Quiet"

weekend workshops in Nature:
a) In the Pyrenean mountains
b) In the hills of the Alpujarras
c) In the deserts of Almería
d) In the plains of Biscay
Del
Meditative sensory body. Organic Ser
the Transpersonal
Integration in the Natural Cycle. Global Listening.
Meditation in motion. Conscious Dance as Medicine. Care and Intuition. Vacuum and Presence. Courtesy Of Living
with Time.
Perception and Inspiration. Contemplation and co-existence.
"Tiyoweh" (the movement in stillness.) Traveler and Guide.

In the mountains "look is more free, wider view and serene"
(Ingmar Bergman)
"The mission of art is not to copy nature, but express"
(Honore de Balzac) "The infinite has its say: is silence "(Gabriel Alomar)

Tuesday, April 13, 2010

Female Pubic Area Tattoos

"BienAvenTuDANZAS"











Experiential Dance in "The power of the small"










HOSTS : vo ART

INFORMATION & COORDINATION :
CRISTINA PASCUAL
649223571 - cris@voarte.org
CONTENTS: Experiential Dance (movement in Body and Soul). Dance-Trance, Elementary, Parable. Dance In-Expected (Transfiguration and disap-Ego). Confidence in the Breath self-creator. Canon to the Improvisation, Creative Space to the State of Grace. Be Musa, Mage, Enchanting. Dances for hustler, played, rock, heal. Danzas de la Guarda, Bacchic, meditative, dance-fire.
spontaneous Art in the Present no-time.

OBJECTIVES: The Magic of the Dance as Bliss. From the minute inspiration. From the underground to the expressive. It scheduled to be spontaneous. From chaos to harmony. From the simple to the full, as empty as fruitful. Unplug the mind to fertilize the movement. Awakening the state of internal and external attention. Individual presence in the common creation. In the jungle temple emotional body. Of nonsense to the joyful stillness. Ceder, is what needs to dance Being

"The last thing is the Self" (Aristotle) \u200b\u200b

Monday, April 12, 2010

Florida Gatorsbirthday Cakes

"ROOTS (THE HOME OF THE BODY ) "regal-ART


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A Place for Creativity Movement
A time for introspection and expression
An area of \u200b\u200byour Nature Living Nature
A time to stoke the fire with your fire A moment of quiet
hibernation
energetizarte
A trip to your breathing to air your inspiration
Revisit the roots that will support and underpin
Back to the trunk and live your tipi
Heat your bonfire, tame your fire, feel the power
your coals and mindful walking

Take your Dance Experiential, natural motion that connects you
Making singing and dancing, a house where a chord entonarte
be free, pamper your vital poetry
plotting your masculine energy to the female
take root in you, as an element

Make your body a home of homes,
the spring that flows between your and your attitude will share you and amigarte
, with ground and air
allies
Home Sweet Home ... A body-home, present,
a space conscious, free trial, where massaging, re-create,
ease tension and harmonize body segments.

Return to origin cederte to the peace of winter habitat
which recognize (animal and human)
and able to communicate and let go, to Ser
"The mission of art is not to copy nature, but express "
(Honore de Balzac)
collaborates : Aragon Professional Dance Therapy Association

Saturday, April 10, 2010

Purple Balls On Puppies

a bridge

regal-ART ...
... A P OWER for EN C ANTAR T E!

GOLD (guide)
INCENSE (CREARTE)
and MIRRA (pamper) ...


A proposal to approach winter (to warm hibernation) and liturgical (in the sense original Greek word "liturgy" as an encounter between the personal and fraternal)

Only 12 people gathered in an intimate ("The Burrow"), where TO POSADA (sit - stand - take home). A central room in the city, where a welcoming atmosphere allows GIVE-SE to give away. Cherish

magic itself, free of prejudice, nurture the ability to surprise, the sense of "illusion" and the sense of wonder ... to recreate the feeling of time and space.

Being with one drop "outside" relieve stress. Offered to pure personal PRESENCE (creative, sensitive, playful and meditative) from the heart of an adult. OFFERING

to the Sense of Self, as a bridge:
... linking the Profane and the Sacred, the symbolic and palpable, Ritual and Festive
... between the edge of your wisdom and your innocence
serenándote
... where to find you, instead of escaping

BRIDGE:
... between the request and offer
... between evocation and Reality
... between individual paths and the Road Global
... between Energizing, Imagination and Relaxation
opportunities open to those who want and can engage with continuity during the days of the process.




Wednesday, April 7, 2010

Gameshark Pokemon Light Platinum Gba



- OBJECTIVES: Back to you and expand on the other ... an experience-individual and group-based Integration Movement (internal and external). Deepening the body language by exploring one's own experience spontaneous, genuine, responsible, and everyday motor relationship and personal knowledge and artistic ... The different plots of our Being Creative dance through sensation, emotion, introspection, Presence, Inspiration ... as a way of personal development and an art in which everything moves. The touch-contact as a motivator of Dance. The Expression of your own work vivid and danced ... a self-experience that invites you to be inhabited from the open look of Experiential Dance (thread that integrates Contact-Improvisation, Music Organic Rhythms of Movement, Meditation, Dance, Choreography Consciousness and Sensory Expressive Energy Circles, Authentic Movement, Respir-Action, Massage, Dance, Mindful Touch Therapy, Gestalt and Body, Eastern techniques, communication and relaxation).

- CONTENT: In this monograph we experience as the core of the perceptual strength of original meaning: the Touch (internal and external) and the magnitude of its potential both to meet our organic reality, and to lay the tool-base the exercise of an authentic dances. Amplification of proprioceptive and exteroceptive awareness of Touch and Contact (Satisfaction, Withdrawal, isolation, Experiential Cycle). Subtle skin. Heavy body-Sensory-Perceptual and Physical Environment. Training the muscle chains, Strength, Unlocking BA, kinesthetic and Rooting. Exploration and Composition of Form in Space. Contact-Improvisation exercise of Materia ..., weight, support ... Management of gravity, balance and peripheral vision ... Interaction Yo-You-floor / You-other-Environment. Resensibilizacion and revitalizing the body itself (the obvious to the self-creative diversity). Static mobility and Dance-Massage. The patience of the craftsman and creative attention here-now (listening, feedback, initiative, cooperation). Uninhibited dance of the time lived.

Habitart> get, to build awareness and submerged or novel experience of self. TOUCH
> the sense used / CONTACT> a vital need


"The skin is the best source of images because it works in all directions at once"
"The pleasure of moving and pleasure use your body, the pleasure of dancing in a sudden and spontaneous, which is free to invent "
(Steve Paxton)
" Touch teaches us that life has depth and contour;
becomes three-dimensional world and our sense of ourselves "
" We forget that touch not only is basic to our species, but the key to the same "
" The caress I am carrying out a life-giving act "
" The sense of touch is the outer layer of the skin, but in the second "
(Diane Ackerman)
" It's amazing how much information can be communicated by touch. All other senses have a body in which a can concentrate, but the touch is all over "(Dr. Tiffany Field)
" The body can not lie when it moves. You learn to live, live. Learn to dance, dance (Martha Graham)
workshops: .
- VALENCIA
1 and 2 November 1908 by
ORGANIZED: Prom Air traveler
(ANA R. LEIVA)
anarleiva@gmail.com
605193640 - 963238152
PLACE: Laboratory Scenic Valencia.
C /. Blanquerías, 22.
.
- ZARAGOZA (Tosos)
BRIDGE MAY 09
ORGANIZED by : UNISONO
Carmen Head: 651 623 174 Capape
Bethlehem: 656 869 534
COLABORA : Aragon Professional Dance Therapy Association

Tuesday, April 6, 2010

Nadine Jansen Cleaning

HABITANDOTE CON-TACT" TODODANZAS (Apollos versus Dionysus ) "

"I do not believe in a god who can not dance" (Nietzsche)

OBJECTIVES: Feast of Dance polymorphic for tod @ s @ s that having any body work base or daring like in the Art of Movement. Explore ways, alternating from the experiential to the technical, the intro to the extro-version. Improvise, analyze and create the dance where you dwell (individuation) and we choreographed (multiplicity). Dusting records, raise curtains, airing backstage ... Facing your double dimension as an impetus for transfigurarte genuine work of art. CONTENTS

: Face of many bodies. Dance with many faces. Inspirational and transformative alchemy through the courage + delight of dance: the game of desdoblarte, the veil uncovering the unconscious dream ... take and use your whole inner gods antagonistic pairing. Body = temple and jungle, harmonization of Apollonian and Dionysian forces in your life. Dialogue pole dancing its truth: epic poetry, idea-instinct, precision-metaphor, aesthetic appearance, organic impulse, the sacred-profane, classic-archaic, under-intoxication of living. Re-create your present: an ephemeral dance, forever mutable. SEND

(essential, with previous time): A photo of your face you like.
BRING: A mirror and a body willing to dance.

LOCATION and DATES : Hostel Víznar (GRANADA) - Bridge in December 2007

ORGANIZATION: PROEXDRA
Apartado 137, 41530 Morón de la Fra (Sevilla), fax: 95 5851230
proexdra@tecnimoron.net

LINK : http://www.proexdra-az.com/

Sunday, April 4, 2010

Fakku Not Working 2010

" Sensory Choreography "

choreographic experimentation through personal experience and grupal.Entregarse a natural emotion, sensations travel the living, training the body from spontaneous to the technical rescue genuine, immersing us in a job search, improvisation and analysis that leads to the development propio.Intensificamos choreographic language of our sensory perception as a source of self-knowledge and inspiration, turning our inner movement in recognizable images, our own work lived and danced ... This creative collaboration in the artistic and personal growth.

Saturday, April 3, 2010

Greeting New Baby In Arabic

Gestalt therapy and therapist education BODY BODY

Individual Therapy:
If you want to make a personal process of Gestalt Therapy, Body, contact:
-Victor ; Orive (   voa@voarte.org   )
-Reme Montero (   reme@voarte.org   )
En Madrid-centro.

Group Therapy:
The group opens a space to share content, put consciousness in what happens to us individually and socially. It is a scenario where we are with ourselves in relation to privacy and the second is to explore conflicts and difficulties, responsibility for our actions and internalize new practices. In it we listen, support, trust, sorry ... using Gestalt techniques and artistic
.
The individual therapy since voARTE offer is humanistic-experiential model focused on Gestalt Psychotherapy integrated with Body Therapy and incorporating creative techniques.
The offer for those who choose to deepen their personal self-knowledge as an impetus to its growth, health and life adjustment (as we believe, based on our own experience, which covered " therapy is too beneficial to limit it to those who are sick , taking words of Irving and Miriam Polster)
Unlike group experiences, it is an individual process in mutual dialogue (verbal, physical and artistic), where the center of the sessions (weekly or fortnightly, about an hour) is the development of the person who decides to embark on its review, with the therapist you choose, by appointment of therapeutic setting (which decide between conditions early in the process).
identical There are two reasons why a person decides to take an individual, are as varied as there are people, and obviously no two similar ways. It's the same development process an adventure, an art in itself, where it has a chance to walk the trails that pass the different aspects of your personality (your emotional, psychological, physiological, mental ...) linking the benefit of a integration of the whole being ... in short, to refine self-awareness, recognize their inner experience, improve their welfare and take more responsibility for their own actions.
therapist's work is fundamentally a process of support, transparency and commitment to personal, face-to updating the various issues that concern or are opening in the customer experience and action- reaction he takes over its various life situations in the pure present.
is therefore a genuine space, involvement in and of itself, where they feel heard, inhibitions, decompress, get to know and accept his true identity ... A protected space where people can express themselves freely, without trial or assessment, with respect to time and space, ysentido discretion positive self-analysis, based on a greater presence in true reality ... for the better love, full viviéndose and appropriating its full potential for a better quality of life.
MADRID
Victor Orive ( voa@voarte.org )
Remes Monteiro ( reme@voarte.org )